Mackie's lawsuit against Behringer UK similarly failed with Justice Pumfrey concluding "citizens of the United States of America are not entitled to design right under the CDPA unless habitually resident in the European Union or one of the comparatively limited list of qualifying countries".
The lawsuit sought $109 million USD in actual damages up to $327 million USD in total damages under the law.īy 1999, lawsuit had been dismissed in Behringer's favour noting that "Mackie's circuit board designs were not covered by the U.S.
entities, a German company, their chief executive officers and others. Mackie Designs sued Behringer GmbH on Jalleging "trademark and trade dress infringement, copyright and patent infringement, and unfair competitive practices by two U.S.
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In 2001, the company entered the professional audio production market with the purchase of Sydec, and created the Mackie Broadcast Professional line of products. Acuma had been contracted by Mackie Designs for its services for several years before being acquired for its technology and scientists. In 2000, Mackie Designs completed the purchase of Acuma Labs for an undisclosed sum. By 2001, loudspeakers accounted for 55% of the company's total revenues. In 2000 the company acquired well-established commercial sound reinforcement system manufacturer Eastern Acoustic Works (EAW). (RCF) in 1998 and leveraging RCF technologies to develop Mackie's first powered loudspeaker, the SRM450, the following year.
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The following year marked the introduction of the Digital 8-Bus Recording Console - the company's first digital product, and the Human User Interface (HUI) control surface, co-developed with Digidesign for Pro Tools.įrom 1998-2000 the company began expanding beyond the Mackie brand, acquiring Radio Cine Forniture S.p.A. completed an initial public stock offering Diversification and acquisitions Īt the July 1996 NAMM Show, Mackie Designs product introductions marked its first entry into power amps, and active studio monitors, while also expanding into higher-end, large-format mixing consoles. With just 8 products (all mixers), Mackie Designs, Inc. The following year, as they celebrated the sale of the 100,000th Mackie mixer, the company moved into an even larger 90,000 square-foot factory and invested in automated assembly machines to achieve high productivity and quality with lower overall production costs. By 1994, the company had grown into a 30,000 square-foot factory. The company's ongoing growth of more than 100 percent annually necessitated relocating and expanding manufacturing every year. The CR-1604's feature set, performance, and competitive price was an ideal fit for a wide range of applications, resulting in hundreds of thousands of units sold over the course of the next five years,Īnd accounting for over 48% of Mackie's overall revenues at that time. This success began with moving production to a proper factory for their second product, the CR-1604 mixer.
experienced tremendous growth over the next four years, with sales growing from $3.8 million to over $64 million. Focused on the goal of producing a reasonably-priced high-quality mixer, he produced the company's first product, the LM-1602, in his three bedroom condominium in Edmonds, Washington. in 1988, following the success of his first two professional audio equipment companies, TAPCO and AudioControl. Acoustic Image amplifiers and speaker cabinets tend to be used by professional acoustic folk and jazz musicians, and Walter Woods amplifiers are associated with professional acoustic jazz bass players.Greg Mackie founded Mackie Designs, Inc. While Peavey and Yorkville products are aimed at the generalist mass market, some bass equipment manufacturers, such as Acoustic Image or Walter Woods make expensive "boutique" equipment that is aimed at a niche market within the professional musician market. At the other end of the spectrum are companies that offer bass amplification equipment as part of a much broader offering of different types of instrument amplifiers and public address systems (e.g., Peavey, Carvin A&I or Yorkville Sound.)Īnother way of categorizing bass equipment manufacturers is by which part of the market they are targeting. Bass equipment manufacturers include a variety of different types of companies, ranging from companies that only make individual components to companies that only make bass amplifiers and loudspeakers (e.g., Gallien-Krueger).
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